Apocalypse Now Redux film analysis | Movie Meaning

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By mattdigiulio

Francis Ford Copolla and Apocalypse Now Redux

What was Francis Copolla trying to accomplish with 1979’s Apocalypse Now? There are many interpretations of the classic war epic.

To me Apocalypse Now is not only a fascinating piece of cinema history but also a scathing doctrine of capitalism that illustrates the extents the American military-industrial complex has gone to meet its needs. In an even more powerful sense though, I see the main characters and the plot-line as metaphors for a larger, even more harrowing picture: man’s internal battle with self.

Copolla And film analysis

Captain Willard (played by Martin Sheen) is the everyman supplanted into an extremely violent world. Handed a mission that requires all of his experience and honed talent for killing, Willard must find and eliminate an American green beret gone insane, Colonel Kurtz (Marlon Brando). Willard’s morals are in shambles but nevertheless he still serves as our worthy segue through the worsening war (the descent into hell represented by a long, questionable river the captain must navigate with a small boat and crew). As they snake down the river, the men come upon many things typifying the experience: having to putter their boat under a gigantic downed-plane fin, Playboy bunnies on a rickety USO float, a jungle outpost labeled “the a**hole of the world,” and so on.

But Willard (Sheen) finally confronts Kurtz (Brando), talks with him, and ultimately terminates his post. What does this really have to do with the potential depravity and slip-ups of the mind? Everything. It is in the way the story (based on Heart of Darkness by Joseph Conrad) is visualized by Coppolla. The Vietnamese people are kept on the fringes of the film. Their struggle isn’t insulted nor is it glorified. The villagers and soldiers are ignored by Copollas lenses the way they were by the American media during the war. The Vietnamese are seen doing all the things that we as American civilians do on a regular basis, like going to school, getting groceries, etc. If anything it is the American soldiers who must seem like foreign beings to us. These poor men were made into state-sanctioned killers by a government that was hoping to wipe communism off the map.

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film analysis and movie meaning

I see two characters representing both extremes of the American mindset at war with each other, Captain Willard (as the US) having to bear the brunt. Lieutenant Colonel Bill Kilgore (Robert Duvall) represents one side, Colonel Kurtz holding down the other. Kilgore is a surfing-obsessed helicopter squad commander who is just as crazy as Kurtz (Brando) but in a completely different way. Kilgore is loud and out there, putting his life at stake in the name of “country” and “victory.” He is the bull in the china shop and definitely represents American ambition-turned-lockstep. Kurtz (marlon brando) is the pure opposite: he has a tough time putting together cohesive sentences, has gone crazy in efforts of self-preservation, tries to distance himself from war yet has unexplained bouts of violence until his death. Willard has in one part of his brain a screaming, surfing Kilgore, and in the other part he’s got a Kurtz mumbling, “There’s something very wrong here…”

francis ford coppolla

There is a great example of Kilgore’s attitude towards the value of humanity. There’s an amazing scene when he tells a soldier who happens to have been a professional surfer to hit some peaks, all this as a full-on battle is raging around them. Seeing sport and vanity juxtaposed among grenades and napalm is a scarily perfect example of how Copolla can show us the duality of human nature.

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Comments

Cogerson profile image

Cogerson Level 8 Commenter 12 months ago

Great hub on a great movie....lots of interesting and informative info in your hub....welcome to hub pages....voted up

mattdigiulio profile image

mattdigiulio Hub Author 12 months ago

Thank you Cogerson,

I love this movie too. Thanks for the warm welcome, Matt D

Phil Plasma profile image

Phil Plasma 10 months ago

Terrific review of the movie. I haven't seen it in quite some time, maybe I'll take another look at it soon. Your tying the Kilgore and Kurtz characters together in the dichotomy within Willard is a gifted interpretation. You've earned a vote-up and awesome from me.

mattdigiulio profile image

mattdigiulio Hub Author 10 months ago

Wow, thank you Phil!

JustMC Level 1 Commenter 8 months ago

Interesting to read. Several things leap to mind. I apologize in advance for focusing on differences rather than agreement, but the differences are both more important and more interesting.

First a caveat. I am operating off of the original, not the redux, so it is possible I am missing some elements in my assessment. That said, I think my points are largely immune to any differences in content between the two.

While I completely agreee that the film makes the point that the military industrial complex is a reckless and evil machine (a point with which I wholeheartedly agree), it is a misnomer to say the military industrial complex is "capitalism." Capitalism is individual freedom and ownership of property, with freedom to trade freely with others through exclusively voluntary transactions, and requires real freedom and well-checked state power over the individual. The military industrial complex is the exact opposite of capitalism. The military industrial complex is an abusive, bloated and tyrannical machine that steals the property of the individual with the threat of ultimate force, uses that stolen wealth to create muscle and empire to steal yet more, and is even willing to send the individual citizen to non-defenseive wars of conquest and death (again, under the threat of ultimate force). The military industrial complex tramples the life, liberty, and property rights of the individual, ALL of which are absolutely fundamental to real capitalism.

Which leads to a broader discussion of real capitalism versus the statist and ever-more fascist system that dominates in the US and much of the rest of the world. Some have called it "crony-capitalism" but I think this is misleading to many, who consider them similar. As "justice" is the opposite of "injustice" so is "capitalism" the opposite of "crony-capitalism." We have a mix of the two here. But saying "crony-capitalism is a form of capitalism" is commonly used to smear capitalism's good name, and in truth it makes as little sense as saying "injustice is a form of justice."

Now, to be entirely fair on the issue of your statement about capitalism, IF it is your claim that Coppola incorrectly confuses the military industrial complex with capitalism, you could argue this point. However, if that is your claim, you should be clear about his error. Further, given the film's lack of discussion of capitalism, I will venture that the injection of the term into your review is yours alone. The closest thing we see to capitalism in the film is (presumably) the villagers and others who are trying to live, eat, raise livestock, etc, who are horribly abused by the actions of the military industrial complex. Capitalism and military industrial compled. Justice and injustice. Opposites.

Now, if this seems pedantic in its focus on the definition of capitalism, I would say the not-so-brief discussion I have devoted to it is critical in understanding what the film illustrates so well, and in applying the film's lessons to the world in which we live. Herein lies a good bit of the film's relevance. Real capitalism and individual freedom are truly good and principled, by far the root of the greatest expansion of prosperity and easing of suffering in human history. The military industrial compled is truly evil and destructive, as with any excess of state control. And the film illustrates this, with the destructive madness when few (or even one) have so much power over so many.

Another important point is that Willard is anything but the "everyman" you have claimed. Willard is a serial murderer who has completed multiple missions that defy even the "accepted" rules of war. He is not only not the "everyman" dropped into (supplanted means something else, BTW) the violence, he isn't even the everyman amongst the universe of soldiers. He is an elite, unconventional fighter, more like Kurtz than almost anyone else one might encounter. He is Kurtz a few years before Kurtz became all he has become. He is a socially-acceptable, outstanding in that he can understand Kurtz's notion of ethics and his betrayal by the US Army, and also (Kurtz hopes) communicate to Kurtz's son the truth of these.

What IS interesting is to ponder the extent to which Kurtz and Willard each consider themselves betrayed by their country and the US Army. To what extent do were they duped by "patriotism" or other lies from "fools and scoundrels" into abandoning their morality and becoming monsters? To what extent does Kurtz, in his final days, reject what he became? To what extent does he realize that his methods were the logical and honest extension of the flawed premise sold by the military industrial complex? To what extent does he see Willard, anything but the everyman, as one of the few rare souls who can understand him, because he was so similarly betrayed?

Regards,

JustMC

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